The view of an extra - Lucy tells it how it was!
Smoke. Lot’s of smoke.And a cube. A really big fucking cube. A big cube big enough to fit lots ofsmoke and a thrash metal band. Welcome to the Evile video shoot for theirupcoming single Infected Nation off the new album by the same name. An early meet atWaterloo station finds me running the length of it to make the 9.42 am trainwith Talita, Evile’s press officer, Julie, their manager and Tom roadie to themetal massive. I just make the train as it pulls out and by the time we hitShepperton, the middle of nowhere I have pretty much woken up. I can’t complainthough, Evile have been at the studio since 8.30 am. Ouch.Studio F, where allthe magic making is happening is basically a massive empty warehouse. In themiddle, a 15 ft Perspex box has been erected, and inside that…Evile.
There are 4 huge lamps beaming down from above the cube, with a camera mounted on atrolley, and one on a crane that swings about while Evile pretend to play, soas to catch different angles from all sides of the cube. There are about adozen people working behind these cameras, the director, the assistant,runners, grips and god knows. All studiously nit picking and pouring over everydetail. Muttering amongst themselves whilst squinting into their lenses,pointing and agreeing and moving stuff, taping stuff and then squinting again. When we arrive, Ben’sdrum kit is being assembled inside the cube. He is busy gaffa taping the symbolsto deaden and muffle their sound, and a studio hand is putting dead skins onhis drums. The rest of the band, Ol, Matt and Mike are wandering aroundaimlessly plucking away on their guitars and bass, chatting and generally killingtime till they are called for again. We catch up brieflyand then go sit at the side, out of the way and get ready to watch as the guysall walk into the box before another studio hand tapes up the opening behindthem. Why? For the smoke! A smoke machine pumps in a blast of smoke and withinseconds you cannot see the band at all.
As the smoke clears, silhouettesappear, holding guitars, a bass and sitting behind an almighty drum kit. Thereare shadows of the guys all distorted from the lighting and the whole set uplooks badass mother fucking ninja sex cool! Already I can’t wait to see thefinal cut and the thing hasn’t even been made yet.There are many stopsand starts, as goes with video shoots. The band start, the filming starts andthen…cut. Something gets shuffled and it’s back to square one. Within an hourwe all know the lyrics and riffs and beat. See, this still isn’t any hardshipthough, the song rocks, and as I said, the video is proper dark. At noon we startgetting calls from extra’s who are beginning to turn up to play the role ofghostly ghouls that will eventually end up hurling themselves in to the box atthe end of the video after much zombie walking and banging around the shop.Originally, Evile hadasked their friends to do the extra work and initially had the full quota, butas it got closer and closer to the day people inevitably end up dropping outdue to other commitments and so come the morning of the shoot we were in direneed of a handful more.We ended up with therequired fifteen which included a couple of U.K thrash band Mutant, theguitarist from Juggern0rt, a whole bunch of London based friends from facebook,Tom the roadie and me.Our outfits for theday were massive black cloaks with huge hoods that had been borrowed from aHarry Potter film and black tights over our faces.
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